Breath: A Back-To-School Basic

Author: Jennifer Deckert on behalf of the IADMS Dance Educators' Committee

.. During this time of re-acclimation, particularly at Wyoming altitude, I often spend several classes re-connecting to the breath in order to provide a much needed ‘reset’ and reminder of the role of breathing in our dance practice. Breath is the only controllable aspect of our autonomic nervous system which includes the sympathetic or “fight or flight” and the parasympathetic or “rest-and-digest”. Breath awareness provides the ability to move between these two states in a balanced and effective manner, allowing the dancer to be powerful and relaxed, strong and steady, connected and focused.

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IADMS 2018 Helsinki: Interview with Invited Speaker - Jari Salo

My presentation “Imaging the dancer” on Saturday introduces a cutting edge imaging technology for accurate diagnostics of knee / foot and ankle area. Cone beam CT (CBCT) imaging is the first 3D technology with ultra high 0,2mm isotropic resolution, and with a possibility to have imaging done under real weight bearing. With intra-articular contrast media, virtual arthroscopy and proper imaging of even thin cartilage layers of knee or TC-joint is possible.

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How effective is Pilates as an additional training program for dancers?

Author: Christine S. Bergeron on behalf of the IADMS Dance Educators’ Committee

As an active Pilates and dance instructor for over 18 years, I can see the connection and similarity between dance technique and Pilates. Some of the similarities include the focus on body alignment, core engagement, pelvic placement, full body engagement, concentration, and precision. It seems, as a community, we have accepted Pilates as a leading supplemental training method among dancers.

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IADMS 2018 Helsinki: Interview with Invited Speaker - Yiannis Koutedakis

We are happy to introduce Yiannis Koutedakis, a name those in the dance medicine and science field will recognize as having published some of the seminal work on dance science! We are looking forward to what I'm sure will be a phenomenal keynote lecture this October in Helsinki!

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IADMS 2018 Helsinki: Interview with Invited Speaker - Camilla Knight

Throughout August and September, we will be publishing interviews with some of our invited speakers for #IADMS2018 in Helsinki. Check out our first interview with Camilla Knight!

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Dance Teacher Resources and A Day for Teachers 2018

Author: Gemma Harman on behalf of the IADMS Dance Educators’ Committee

With the next annual conference in Helsinki fast approaching, it seems timely to reflect back on the Dance Educators’ Committee’s blog posts that have been shared since last year’s meeting in Houston, Texas. This year has seen a vast array of posts created by dancers, educators, researchers and clinicians on sharing the current happenings in the field of dance medicine and science specifically aimed at educators and teachers. 

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The shoulder complex: An exploration of the scapula

Author: Martha Wiekens on behalf of the IADMS Dance Educators’ Committee 

I am very excited to write this blog post introducing a brilliant new resource paper on the shoulder complex, which has been written by Lisa Donegan Shoaf and Judith Steel. The paper provides an in depth look at the shoulder complex, starting with anatomy and specific muscular force couples, then moving onto the integration into whole body movement and common dancer issues relating to the shoulder. 

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Introducing Helsinki as the next IADMS host city in October 2018!

Author: Jarmo Ahonen, DHF - IADMS 2018 Host Committee Member 

This blog is to give you some insight on Finland as a country and Helsinki as the capital. Join us in Helsinki for IADMS Annual Conference. REGISTRATION IS NOW OPEN! Register at www.iadms.org/2018 

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I stand corrected! From correction to constructive feedback

Author: Karine Rathle on behalf of the IADMS Dance Educators' Committee 

Feedback is a process used by teachers, rehearsal directors and choreographers to provide information and guide dancers in skill acquisition, technique and movement quality. It is a powerful and necessary tool. Typically, teachers and choreographers have their own individual style of providing feedback. Their approach may come from their experience as dancers, their previous teachers and training, or their ingrained habits from working in dance.

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Optimal Focus – from research to dance practice

Author: Clare Guss-West on behalf of the IADMS Dance Educators' Committee 

This blog post provides a brief introduction to attentional focus and its potential impact on dance training and performance. Attentional focus study is relatively new to dance, whereas the research is now integrated into elite sports coaching – notably football, skiing, golf and swimming. Companies such as The Royal Ballet, Houston Ballet, and Finnish National Ballet are becoming aware of the benefits of these complementary techniques and we have started to introduce them into the dancers’ professional practice.

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